In this painting, Manet recreates the brilliant entertainments at the Folies-Bergère—a spectacular café-concert hall that included an outdoor area as well as the indoor area we see in this painting. Along the bar are a brilliant array of drinks, fruit, and bottles of spirits, including champagne, Bass pale ale, and crème de menthe, which in itself constitutes a tour de force of still life painting. These objects, together with the shimmering reflections in the mirror of elegant men and well-known demimondaines contrast with the detached and remote expression on the face of the bar girl, Suzon. It has been speculated that the bottles and fruit may be a metaphor for sexual exchange. They are certainly commodities—is the girl a commodity? Perhaps Manet is simply posing the question to force the viewer to look closely at the painting and to consider its implications.
